Сисивер мифический английский оригинальный роман «Миф о рабочей коллекции Сисиф Гаму» классической Нобелевской Нобелевской Нобелевской Нобелевской Нобелевской Нобелевской премии по литературе Альберт Камю Импортированные английские книги могут использоваться в качестве чумы
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Описание товара
Заголовок:Миф о миф о сисифу Сисивер
Автор: Альберт Камю Альберт&Middot; Camus
Имя издательства: Penguin Classic
Время публикации: 2013
Английский язык
ISBN: 9780141182001
Размер товара: 12,9 х 1,1 х 19,8 см
Упаковка: Тихий океан
Количество страниц: 192
★ Комплексное раскрытие Камю и сопротивление человеческим абсурдным ситуациям, одинокие, но трагические
★ Один из шедевров Камю, автор в книге не только тщательно объяснил абсурд мира и жизни, но, что более важно, указывая на выход из нелепаю мир——
The Myth of Sisyphus"Миф Сиси"Это знаменитый французский писатель Камю.В этой простой книге автор предлагает тему, которая тесно связана с человеческой жизнью, то есть абсурдом жизни.Но Камю считает, что смешной не приводит к результату самоубийства, чтобы покончить с жизнью в жизни.
In this profound and moving philosophical statement, Camus poses the fundamental question: Is life worth living? If human existence holds no significance, what can keep us from suicide?
As Camus argues, if there is no God to give meaning to our lives, humans must take on that purpose themselves. This is our'absurd' task, like Sisyphus forever rolling his rock up a hill, as the inevitability of death constantly overshadows us. Written during the bleakest days of the Second World War, The Myth of Sisyphus argues for an acceptance of reality that encompasses revolt, passion and, above all, liberty.
This volume contains several other essays, including lyrical evocations of the sunlit cities of Algiers and Oran, the settings of his great novels The Outsider and The Plague.
Albert Camus is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. He is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international.
Translated by Justin O'Brien
With an Introduction by James Wood
The Myth of Sisyphus"Миф Сиси"Это один из шедевров французского экзистенциального мастера Камю, а Камю является более глубоким и концентрированным исследованием абсурдной философии и тщательной и четкой интерпретации.Сицифер, греческая мифическая фигура, чтобы толкнуть камень вверх по горе, и бесконечная тяжелая работа, несомненно, является символом абсурда выживания человека; сражался до конца.Поэтому вместо того, чтобы сказать «миф о Сисивере» - это трагическая картина человеческих условий, лучше сказать, что это либеральная гуманитарная победа. судьбы "сопоставимо с этим.
Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Inspired by the myth of a man condemned to ceaselessly push a rock up a mountain and watch it roll back to the valley below, The Myth of Sisyphus transformed twentieth-century philosophy with its impassioned argument for the value of life in a world without religious meaning.
Альберт&Middot; Camus(Альберт Камю, 1913 ~ 1960), французский писатель и философ, выиграл Нобелевскую премию по литературе в 1957 году и погиб в автомобильной аварии в 1960 году.Камю является представителем абсурдной философии и его литературы.Письмо Камю просто, ярко и просто Поверьте, что работа Камю отражает новый дух человечества, который отвечает требованиям промышленной эры.Сартр сказал, что он подтвердил существование духовного мира в эпоху, когда Телец поклонялся реализму.
Albert Camus (1913-1960), French novelist, essayist and playwright, is one of the most influential thinkers of the 20th century. His most famous works include The Myth of Sisyphus (1942), The Plague (1947), The Just (1949), The Rebel (1951) and The Fall (1956). He was awarded the Nobel Prize for Literature in 1957, and his last novel, The First Man, unfinished at the time of his death, appeared in print for the first time in 1994, and was published in English soon after by Hamish Hamilton.
THERE is but one truly serious philosophical problem and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. All the rest— whether or not the world has three dimensions, whether the mind has nine or twelve categories
— comes afterwards. These are games; one must first answer. And if it is true, as Nietzsche claims, that a philosopher, to deserve our respect, must preach by example, you can appreciate the importance of that reply, for it will precede the definitive act. These are facts the heart can feel; yet they call for careful study before they become clear to the intellect.
If I ask myself how to judge that this question is more urgent than that. I reply that one judges by the actions it entails. I have never seen anyone die for the ontological argument. Galileo who held a scientific truth of great importance abjured it with the greatest ease as soon as it endangered his life. In a certain sense, he did right. That truth was not worth the stake. Whether the earth or the sun revolves around the other is a matter of profound indifference. To tell the truth, it is a futile question. On the other hand, I see many people die because they judge that life is not worth living. I see others paradoxically getting killed for the ideas or illusions that give them a reason for living (what is called a reason for living is also an excellent reason for dying). I therefore conclude that the meaning of life is the most urgent of questions. How to answer it? On all essential problems (I mean thereby those that run the risk of leading to death or those that intensify the passion of living) there are probably but two methods of thought: the method of La Palisse and the method of Don Quixote. Solely the balance between evidence and lyricism can allow us to achieve simultaneously emotion and lucidity. In a subject at once so humble and so heavy with emotion, the learned and classical dialectic must yield, one can see, to a more modest attitude of mind driving at one and the same time from common sense and understanding.
Suicide has never been dealt with except as a social phenomenon. On the contrary, we are concerned here, at the outset, with the relationship between individual thought and suicide. An act like this is prepared within the silence of the heart, as is a great work of art. The man himself is ignorant of it. One evening he pulls the trigger or jumps. Of an apartment-building manager who had killed himself I was told that he had lost his daughter five years before, that he had changed greatly since and that that experience had‘undermined’ him. A more exact word cannot be imagined. Beginning to think is beginning to be undermined. Society has but little connection with such beginnings. The worm is in man’s heart. That is where it must be sought. One must follow and understand this fatal game that leads from lucidity in the face of experience to flight from light.